Report: Love lyrics by Afanasy Fet. Love lyrics Fet Fet 5 stanzas about love

The greatest poet of his time, Afanasy Afanasyevich Fet, pays great attention to the theme of love. So, in his works, Fet presents us with a lyrical hero who has a fine mental organization. The writer in his works uses the technique of parallelism: the mood of the lyrical hero, his feelings and emotions, which are often reflected in nature. Nature for him is part of a bright feeling. Fet is convinced that all these feelings and the variety of colors that are present in love are also characteristic of nature.

Fet's love lyrics are something magical and unearthly. In his poems, he describes love as a warm and bright feeling, reflecting it in endless variety. He believes that love is a feeling that never fades and remains for a long time in the memory of each of us. Often, the author's works take the form of memories. So, for example, in his poem “The night shone. The garden was full of moon. Afanasy Afanasyevich Fet endows the lyrical hero with memories. This work of the author has its own history. So, the poet, having heard songs performed by Tatyana Bers, finds a muse in her. Tatyana made his heart experience love, which he spoke about in his poem. Fet writes about love, which, by chance, turned out to be unfulfilled. The author, conveying everything through the lyrical hero, tells about his condition.

From the first lines we learn that the poet is full of experiences, he is endowed with memories of the past, which, unfortunately, torment him. Describing the beloved who plays with the strings of the instrument, he draws a certain line between the human heart and the strings of the instrument. He wants to hear the voice of his beloved, but, alas, he cannot ... Reading the poem, readers are more and more immersed in Fet's love lyrics, which are filled with memories and experiences.

In his work, the great poet Afanasy Afanasyevich Fet describes love in all its glory. Most likely, the life of the poet was open to sincere feelings and warm memories that excited Afanasy Afanasyevich. Surely the author is convinced that such a bright feeling should be represented in the whole gamut of feelings. With great zeal, he conveys to each person the feelings of a lyrical hero, makes him empathize with him. In his works, he tries to get into the soul of the reader and permanently settle his thought there, which affects the most beautiful feeling in the world - love. After all, love is a feeling of emotional affection that every person on Earth has experienced. In the eyes of Afanasy Afanasyevich Fet, love is something that is never forgotten and makes us remember everything that happened at a certain moment of happiness associated with love. Reading his works, the reader is immersed in reasoning, penetrates and understands the views of the poet. All his work is easy to understand and leaves a lasting impression.

Composition The theme of love in the lyrics of Fet

Afanasy Afanasyevich Fet was a famous Russian poet, he wrote his first collection in 1840, and its name was "Lyrical Pantheon". In 1860, when the peace of the people was disturbed by the revolution, Afanasy Afanasyevich took the side of the landowners. Fet stops writing and returns to his work only in his declining years and publishes four collections and releases them under the same name “Evening Lights”.

Afanasy Afanasyevich is an unusual writer, his poems are musical and touch every note of the heart. Fet's lyrics are filled with love and this is the most distinctive feature from everyone. Tragic love played an important role in his lyrical poems. Afanasy Afanasyevich was in love with a very smart girl named Maria Lazich. Love for her inspired the writer, but it all ended in tragedy. For unknown reasons, the girl died, and Afanasy Afanasyevich Fet until the end of his days felt guilty because of her death.

Afanasy Afanasyevich was a cold and calculating man, but in his works he so beautifully lyrically described the feeling of love that many did not believe in it. After the death of Lazich, Fet's sense of guilt is so great that this is some kind of impetus for Afanasy Fet's dual world. Perhaps that is why in real life he is impregnable and cold, and in his works his characters are lyrical and filled with a feeling of love.

Afanasy Afanasyevich wrote many poems about his love and separation from Maria Lazich. In poems, he says that she has already suffered, and he still has to, toils on this earth. All his life he hoped for a reunion with his beloved and carried her a sensual and strong love.

Afanasy Afanasyevich lived by his poetry and it was a completely different world for him, in which he wanted to show all the beauty of lyrical heroes. Afanasy Afanasyevich wanted to show all readers how much you can change the world if you fill it with love.

Fet wrote about lost love and how he misses his beloved, and he wants to meet her soon. He devoted many works to his sincere, bright feelings. Afanasy Fet in his poems wrote about Mary as a living girl.

Some interesting essays

Once an instructive incident happened to me, after which I had to draw important conclusions. During the summer holidays, my grandparents decided to go for a walk in the forest.

One of the most unpleasant figures in Dostoevsky's novel "Demons" is Pyotr Stepanovich Verkhovensky. This is the son of Stepan Trofimovich, the accustomer of Varvara Petrovna, the mother of the protagonist, Nikolai Stavrogin.

It is an eternity that lasts a day.

This is life lived in a week.

A. S. Pushkin

Fet's love lyrics are the most frank page of his poetry. The poet's heart is open, he does not spare him, and this drama of his poems is literally amazing, despite the fact that, as a rule, they end in a light, major key.

In the years military service Afanasy Fet experienced a tragic love that influenced all his work. It was love for Maria Lazich, a fan of his poetry, a very talented and educated girl. She also fell in love with him, but they were both poor, and for this reason Fet did not dare to join his fate with his beloved girl. Soon Maria Lazich died, she burned down. Until his death, the poet remembered his unhappy love; in many of his poems, her unfading breath is heard. Fet's poetry is joyful and bright, it has a sense of light and peace. Even about his ruined love, he writes lightly and calmly, although his feeling is deep and fresh, as in the first minutes. Until the end of his life, Fetu did not change the joy that pervaded almost all of his poems.

Fet perfectly conveys the "fragrant freshness of feelings" inspired by nature, its beauty, charm. His poems are imbued with a bright, joyful mood, the happiness of love. The poet unusually subtly reveals the various shades of human experiences. He knows how to catch and clothe in bright, vivid images even fleeting spiritual movements that are difficult to identify and convey in words:

Whisper, timid breath,

trill nightingale,

Night light, night shadows,

Silver and the ripple of the Sleepy stream,

Shadows without end

A series of magical changes of the Sweet Face,

In smoky clouds purple roses,

reflection of amber,

And kisses, and tears,

And dawn, dawn!..

This is a poem about love, about a date, about nature. Here nothing is depicted as a whole, there is no single image. Beloved is “a whisper, a timid breath”, a sweet face. Date - "both kisses and tears." There is not a single verb in the poem, because the verb denotes an action, a process, and Fet's poems, on the contrary, stop moments of beauty, love, happiness.

The poems of A. A. Fet are loved in our country. Time unconditionally confirmed the value of his poetry, showed that we, the people of the 20th century, need it, because it touches the innermost strings of the soul, reveals the beauty of the surrounding world.

Fet and Maria Lazic

most big love Fet's whole life was Maria Lazich - the daughter of a poor Kherson landowner, a dowry girl (the real name of the girl / of Serbian origin / became known only in the 20th century: in her memoirs, Fet calls her Elena everywhere).

Fet met Maria Lazich in the fall of 1848, when he was in military service and lodged with his regiment in the Kherson province. The love was mutual, and the relationship continued for several years. However, Fet, referring to the poverty of Mary and his own material insecurity, refuses marriage, believing that marriage will become an obstacle to his career. “I am not marrying Lazich, and she knows this, but meanwhile she begs us not to interrupt our relationship ...

This is the Gordian knot of love ... which the more I tighten, the tighter I tighten, but I don’t have the spirit and strength to cut it with a sword ... ”(from a letter).

Maria Lazich had outstanding musical abilities: the famous Hungarian composer and pianist Franz Liszt heard her play during his stay in Russia and, as a token of approval, wrote a farewell musical phrase of extraordinary beauty in Maria Lazich's album.

Maria Lazich became the heroine of the love lyrics of Afanasy Fet. When Fet met Lazich, she was 24 years old, and he was 28. Fet saw in Maria Lazich not only an attractive girl, but also an extremely cultured person, musically and literary educated.

Fet is also guided by the calculation in his relationship with his beloved Maria Lazich - having fallen in love with Maria Lazich, Fet, however, broke up with his beloved. Reason won, he did not dare to connect fate with a poor dowry girl. Here such a feature of Fet manifested itself: in everyday life, his practical reason prevailed over feeling, and in verse, feeling, immediacy, captivity prevailed over reason.

Maria Lazich turned out to be close to Fet in spirit - not only in heart. But she was as poor as Fet. And he, deprived of a fortune and a solid social foundation, did not decide to link his fate with her. Fet convinced Maria Lazich that they needed to leave. Lazich agreed in words, but she could not break off relations. Nor could Fet. They continued to meet. Soon, Fet had to leave for a while due to official needs. When he returned, terrible news awaited him: Maria Lazich was no longer alive.

Lazic tragically died under mysterious circumstances. Since then, her image will enter his poetry, giving love poems confession, tragedy. From now on, Fet will remember this love all his life: he will create a cycle of confessional poems dedicated to Lazich.

As Fet was told, at that tragic hour she was lying in a white muslin dress, reading a book. She lit a cigarette and threw the match on the floor. The match continued to burn. Her muslin dress caught fire. In a few moments, the girl was all on fire. It was not possible to save her. Her last words were: "Save the letters!". And she also asked not to blame the one she loved for anything ...

After the tragic death of Maria Lazich, Fet comes to the full realization of love. Love unique and unique. Now he will remember all his life, will speak, and sing about this love - high, beautiful, amazing verses.

... That grass that is far away on your grave,
here in the heart, the older it is, the fresher ...

This misfortune left an indelible imprint on the life and work of the poet. Poems in which "she" is present are covered with tragedy and melancholy. Together with Maria Lazich, his ideal, which now sounded only in verse - memories of her, also perished.

From now on, I will feed his love lyrics with dreams and memories (Alter Ego, etc.). There are no psychological portraits or individuality in these poems - Fet is interested in the experiences of people, but not the people themselves (“What happiness: both the night and we are alone! ..”, “What a night! The transparent air is shackled ...”, “ I won't tell you anything..." etc.).

The poem “No, I have not changed. Until deep old age...” does not describe or show the person to whom it is addressed. But from the lines of the poem, we understand that it is dedicated to Maria Lazich.

No, I haven't changed. To deep old age
I am the same devotee, I am the slave of your love.

We see that until the end of her life, Maria Lazich remained his only love.

The masterpieces of Fet's love lyrics, dated to the 50s, 60s, 70s, 80s, are dedicated to her memory. (“An irresistible image”, “Old letters”, “In the silence and darkness of a mysterious night”, “You suffered, I still suffer”, “For a long time I dreamed of your cries of sobs”, “No, I have not changed. Until deep old age ...” other).

On November 23, 1820, in the village of Novoselki, located near Mtsensk, the great Russian poet Afanasy Afanasyevich Fet was born in the family of Caroline Charlotte Fet and Afanasy Neofitovich Shenshin. His parents got married without an Orthodox ceremony abroad (the poet's mother was a Lutheran), because of which the marriage, legalized in Germany, was declared invalid in Russia.

Deprivation of the title of nobility

Later, when the wedding was performed according to the Orthodox rite, Afanasy Afanasyevich already lived under his mother's surname - Fet, being considered her illegitimate child. The boy was deprived, in addition to his father's surname, and the title of nobility, Russian citizenship and inheritance rights. For a young man for many years, the most important life goal was to regain the Shenshin surname and all the rights associated with it. It was only in his old age that he was able to achieve this by regaining his hereditary nobility.

Education

The future poet in 1838 entered the boarding school of Professor Pogodin in Moscow, and in August of the same year he was enrolled in the verbal department at Moscow University. In the family of his classmate and friend, he lived his student years. The friendship of young people contributed to the formation of their common ideals and views on art.

First attempts at pen

Afanasy Afanasyevich begins to compose poetry, and in 1840 a poetic collection entitled "Lyrical Pantheon" published at his own expense was published. In these poems, echoes of the poetic work of Yevgeny Baratynsky were clearly heard, and since 1842 Afanasy Afanasyevich has been constantly published in the journal Otechestvennye Zapiski. Already in 1843, Vissarion Grigoryevich Belinsky wrote that of all the poets living in Moscow, Fet was “the most talented”, and puts this author’s poems on a par with the works of Mikhail Yuryevich Lermontov.

The need for a military career

Fet strove for literary activity with all his heart, but the instability of the material and social situation forced the poet to change his fate. Afanasy Afanasyevich in 1845 entered as a non-commissioned officer in one of the regiments located in the Kherson province in order to be able to receive hereditary nobility (the right to which was given by a senior officer rank). Cut off from the literary environment and metropolitan life, he almost ceases to be published, also because, due to the fall in demand for poetry, magazines do not show interest in his poems.

A tragic event in Fet's personal life

In the Kherson years, a tragic event happened that predetermined the poet's personal life: his beloved, Maria Lazich, a dowry girl, whom he did not dare to marry because of his poverty, died in a fire. After Fet's refusal, a strange incident happened to her: a candle caught fire on Maria's dress, she ran into the garden, but could not cope with putting out the clothes and suffocated in the smoke. This could be suspected of a girl's attempt to commit suicide, and in Fet's poems, echoes of this tragedy will sound for a long time (for example, the poem "When you read the painful lines ...", 1887).

Admission to L Abe Guards Lancers Regiment

In 1853, a sharp turn took place in the fate of the poet: he managed to enter the guard, in the Ulan regiment stationed near St. Petersburg. Now Afanasy Afanasyevich gets the opportunity to visit the capital, resumes his literary activity, begins to regularly publish poems in Sovremennik, Russkiy Vestnik, Otechestvennye Zapiski, and Library for Reading. He becomes close to Ivan Turgenev, Nikolai Nekrasov, Vasily Botkin, Alexander Druzhinin - the editors of Sovremennik. The name Fet, by that time already half-forgotten, reappears in reviews, articles, the chronicle of the magazine, and since 1854 his poems have been published. Ivan Sergeevich Turgenev became the poet's mentor and even prepared a new edition of his works in 1856.

The fate of the poet in 1856-1877

Fet was unlucky in the service: each time the rules for obtaining hereditary nobility were tightened. In 1856 he left military career without achieving its main goal. In Paris, in 1857, Afanasy Afanasyevich married the daughter of a wealthy merchant, Maria Petrovna Botkina, and acquired an estate in the Mtsensk district. At that time he wrote almost no poetry. Being a supporter of conservative views, Fet took a sharply negative view of the abolition of serfdom in Russia and, starting in 1862, began to regularly publish essays in the Russian Bulletin, denouncing the post-reform order from the position of a landowner-landowner. In 1867-1877 he served as a justice of the peace. In 1873, Afanasy Afanasyevich finally received hereditary nobility.

Fet's fate in the 1880s

The poet returned to literature only in the 1880s, having moved to Moscow and became rich. In 1881, his old dream was realized - he created a translation of his favorite philosopher, "The World as Will and Representation", created by him. In 1883, a translation of all the works of the poet Horace, begun by Fet in his student years, was published. The period from 1883 to 1991 includes the publication of four issues poetry collection"Evening Lights"

Fet's lyrics: general characteristics

The poetry of Afanasy Afanasyevich, romantic in its origins, is, as it were, a link between the work of Vasily Zhukovsky and Alexander Blok. The later poems of the poet gravitated towards the Tyutchev tradition. Fet's main lyrics are love and landscape.

In the 1950s and 1960s, during the formation of Afanasy Afanasyevich as a poet, Nekrasov and his supporters almost completely dominated the literary environment - apologists for poetry glorifying social, civic ideals. Therefore, Afanasy Afanasyevich with his work, one might say, spoke somewhat untimely. Features of Fet's lyrics did not allow him to join Nekrasov and his group. After all, according to representatives of civil poetry, poetry must necessarily be topical, performing a propaganda and ideological task.

Philosophical motives

Feta permeates all his work, reflected in both landscape and love poetry. Although Afanasy Afanasyevich was even friends with many poets of the Nekrasov circle, he argued that art should not be interested in anything other than beauty. Only in love, nature and art itself (painting, music, sculpture) did he find everlasting harmony. The philosophical lyrics of Fet sought to get as far away from reality as possible, contemplating beauty that was not involved in the vanity and bitterness of everyday life. This led to the adoption in the 1940s by Afanasy Afanasyevich of romantic philosophy, and in the 1960s - the so-called theory of pure art.

The prevailing mood in his works is intoxication with nature, beauty, art, memories, delight. These are the features of Fet's lyrics. Often the poet has the motive of flying away from the earth following the moonlight or enchanting music.

Metaphors and epithets

Everything that belongs to the category of the sublime and beautiful is endowed with wings, first of all, a love feeling and a song. Fet's lyrics often use such metaphors as "winged dream", "winged song", "winged hour", "winged word sound", "winged with delight", etc.

Epithets in his works usually describe not the object itself, but the impression of the lyrical hero from what he saw. Therefore, they can be inexplicable logically and unexpected. For example, a violin might be labeled "melting". Fet's characteristic epithets are "dead dreams", "incense speeches", "silver dreams", "weeping herbs", "widowed azure", etc.

Often the picture is drawn with the help of visual associations. The poem "Singer" is a vivid example of this. It shows the desire to embody the sensations created by the melody of the song into specific images and sensations, of which Fet's lyrics consist.

These verses are very unusual. So, "the distance rings", and the smile of love "meekly shines", "the voice burns" and fades in the distance, like a "dawn beyond the sea", in order to splash pearls again with a "loud tide". At that time, Russian poetry did not know such complex bold images. They established themselves much later, only with the advent of the symbolists.

Speaking about the creative manner of Fet, they also mention impressionism, which is based on the direct fixation of the impressions of reality.

Nature in the poet's work

Fet's landscape lyrics are a source of divine beauty in eternal renewal and diversity. Many critics mentioned that nature was described by this author as if from the window of a landowner's estate or from the perspective of a park, as if specifically to arouse admiration. Fet's landscape lyrics are a universal expression of the beauty of the world untouched by man.

Nature for Afanasy Afanasyevich is a part of his own "I", a background for his experiences and feelings, a source of inspiration. Fet's lyrics seem to blur the line between external and inner world. Therefore, human properties in his poems can be attributed to darkness, air, even color.

Very often, nature in Fet's lyrics is a night landscape, since it is at night, when the bustle of the day calms down, that it is easiest to enjoy the all-embracing, indestructible beauty. At this time of day, the poet does not have glimpses of the chaos that fascinated and frightened Tyutchev. Majestic harmony, hidden by day, reigns. Not the wind and darkness, but the stars and the moon come first. By the stars, Fet reads the "fiery book" of eternity (the poem "Among the Stars").

The themes of Fet's lyrics are not limited to the description of nature. A special section of his work is poetry dedicated to love.

Fet's love lyrics

Love for the poet is a whole sea of feelings: timid longing, and enjoyment of spiritual intimacy, and the apotheosis of passion, and the happiness of two souls. The poetic memory of this author knew no bounds, which allowed him to write poems dedicated to his first love even in his declining years, as if he was still under the impression of such a desired recent date.

Most often, the poet described the birth of a feeling, its most enlightened, romantic and reverent moments: the first contact of hands, long glances, the first evening walk in the garden, contemplation of the beauty of nature that gives rise to spiritual intimacy. Lyrical hero says that no less than happiness itself, cherishes the steps to it.

Fet's landscape and love lyrics form an inseparable unity. Heightened perception of nature is often caused by love experiences. A striking example this is a miniature "Whisper, timid breathing ..." (1850). The fact that there are no verbs in the poem is not only an original technique, but also a whole philosophy. There is no action because in fact only one moment or a whole series of moments, motionless and self-sufficient, is described. The image of the beloved, described in detail, seems to dissolve in the general range of feelings of the poet. There is no complete portrait of the heroine here - it must be supplemented and recreated by the reader's imagination.

Love in Fet's lyrics is often complemented by other motives. So, in the poem "The night was shining. The garden was full of moon ..." three feelings are united in a single impulse: admiration for music, intoxicating night and inspired singing, which develops into love for the singer. The whole soul of the poet dissolves in music and at the same time in the soul of the singing heroine, who is the living embodiment of this feeling.

This poem is difficult to classify unambiguously as love lyrics or poems about art. It would be more accurate to define it as a hymn to beauty, combining the liveliness of experience, its charm with deep philosophical overtones. This worldview is called aestheticism.

Afanasy Afanasyevich, carried away on the wings of inspiration beyond the limits of earthly existence, feels himself a master, equal to the gods, overcoming the limitations of man with the power of his poetic genius.

Conclusion

The whole life and work of this poet is the search for beauty in love, nature, even death. Could he find her? This question can only be answered by someone who really understood the creative heritage of this author: he heard the music of his works, saw landscape paintings, felt the beauty of poetic lines and learned to find harmony in the world around him.

We examined the main motives of Fet's lyrics, the characteristic features of the work of this great writer. So, for example, like any poet, Afanasy Afanasyevich writes about the eternal theme of life and death. Neither death nor life frightens him equally ("Poems about death"). By physical death, the poet experiences only cold indifference, and Afanasy Afanasyevich Fet justifies earthly existence only by creative fire, commensurate in his view with "the whole universe." Both ancient motives (for example, "Diana"), and Christian ones ("Ave Maria", "Madonna") sound in verses.

You can find more detailed information about Fet's work in school textbooks on Russian literature, in which the lyrics of Afanasy Afanasyevich are considered in some detail.

Plan

Introduction.

Maria Lazic.

The theme of love in Fet's lyrics

The beauty of love.

Afanasy Afanasyevich Fet (Shenshin) (1820-1892) - a wonderful Russian poet, the finest lyricist, who discovered completely new page in the history of Russian poetry. Many of his contemporaries did not immediately appreciate him: ridicule, sharp rejection, numerous parodies, by no means harmless - this is the plume of Fet's literary success throughout his life. But the twentieth century appreciated the poet in the highest way. Already at the very beginning of the century, Fet was called the "singer of silence", "singer of the inaudible", the new reader listened with rapture to Fet's lines that "they move" with an "air foot", "barely uttered." "All the world's joy and sweetness of love dissolved into the most refined element and fills its pages with fragrant vapors; that's why his poems make your heart skip a beat, your head spins, "wrote the famous literary critic K. Aikhenvald. The book" Air City "(M. - 1995, 243 pages) includes selected poems Fete of his contemporaries-admirers: Vl. Solovyov, S. Strakhov, B. Sadovsky.

The poems of A. A. Fet are loved in our country. Time unconditionally confirmed the value of his poetry, showed that we, the people of the 20th century, need it, because it touches the most intimate strings of the soul, reveals the beauty of the surrounding world.

Afanasy Afanasyevich Fet was born in the estate of Novoselki, Mtsensk district, in November 1820.

The story of his birth is not quite usual. His father, Afanasy Neofitovich Shenshin, a retired captain, belonged to an old noble family and was a wealthy landowner. While being treated in Germany, he married Charlotte Feth, whom he took to Russia from her living husband and daughter. Two months later, Charlotte gave birth to a boy named Athanasius and given the surname Shenshin. Fourteen years later, the spiritual authorities of the Eagle discovered that the child was born before the wedding of his parents and Athanasius was deprived of the right to bear his father's surname, and deprived of his noble title. This event wounded the impressionable soul of the child, and he experienced the ambiguity of his position almost all his life.

The special position in the family influenced further fate Athanasius Fet - he had to earn for himself the rights of the nobility, which the church deprived him of. First of all, he graduated from the university, where he studied first at the law, then at the philological faculty. At this time, in 1840, he published his first works as a separate book, which, however, did not have any success.

During the years of military service, Afanasy Fet experienced a tragic love that influenced all his work. It was love for Maria Lazich, a fan of his poetry, a very talented and educated girl. She also fell in love with him, but they were both poor, and for this reason A. Fet did not dare to join his fate with his beloved girl. Soon Maria Lazich died, she burned down. Until his death, the poet remembered his unhappy love; in many of his poems, her unfading breath is heard.

The inspiration for the poet was the love of his youth for the landowner's daughter Maria Lazich. As far as their love was high and huge, so tragic. Maria Lazich knew that Fet would never marry her, and her death was the consequence. Death was dark and mysterious, one might even assume that it was suicide. The feeling of guilt constantly haunted Fet throughout his life, even contemporaries noted the coldness, even some cruelty of Fet in life. And, perhaps, all the same, feelings about the loss of his beloved were reflected in another world of Fet - the world of lyrical experiences, moods, feelings embodied in poems. Fet felt himself in a different being, the world of poetry, where he was not alone, but next to his loved one. They are together again, and no one can separate them.

And though life without you

I am destined to drag

But we are with you

We cannot be separated.

The poet all the time feels spiritual closeness with his beloved, as evidenced by the poem

You suffered, I still suffer...

In the silence and darkness of the mysterious night...

The image of Maria Lazich for the poet is a moral ideal, and the whole life of the poet is the pursuit of the ideal and the hope of reuniting with it. It can be noted that Fet's love lyrics are filled not only with a sense of hope and hope. It is also deeply tragic. The feeling of love is not only joy accumulated by tremulous memories, but also love, which brings mental anguish and suffering.

For example, how the poem “Do not wake her at dawn” is filled with different meanings. At first, the girl seems to be showing a quiet dream, but only then some tension appears ...

And her pillow is hot

And hot tiring sleep.

This line indicates a disease state. Fet's love is a fire, like poetry, a flame in which the soul burns.

Surely nothing whispered to you at that time: here a man burned down!

But time passed, but his love did not fade away, it was so great, strong that even his friends were surprised how he could write the poem “On a Swing” - after forty years.

“Forty years ago, I was swinging with a girl, standing on a board, and her dress fluttered in the wind,” Fet writes in a letter to Polonsky. How much the memory of his girlfriend gives rise to such memories, haunts throughout life.

The poet's poetry is the fruit of his love experiences and memories, to which he gave everything that he experienced, experienced, lost.

Of course, the loss of a loved one made a deep impression on Fet, the poet experienced a spiritual shock, as a result of which he showed a magnificent talent that opened the way for him into poetry to express his feelings and experiences.

A. Fet's poems are pure poetry, in the sense that there is not a drop of prose. Usually he did not sing of hot feelings, despair, delight, lofty thoughts, no, he wrote about the simplest things - about pictures of nature, about rain, about snow, about the sea, about mountains, about forests, about stars, about the simplest movements of the soul, even about minute impressions. His poetry is joyful and bright, it has a sense of light and peace. Even about his ruined love, he writes lightly and calmly, although his feeling is deep and fresh, as in the first minutes. Until the end of his life, Fetu did not change the joy that pervaded almost all of his poems.

The beauty, naturalness, sincerity of his poetry reach complete perfection, his verse is amazingly expressive, figurative, musical. Not without reason did Tchaikovsky, Rimsky-Korsakov, Balakirev, Rakhmaninov and other composers turn to his poetry. “This is not just a poet, but rather a poet-musician...” - Tchaikovsky said about him. Many romances were written to Fet's poems, which quickly gained wide popularity.

Fet can be called a singer of Russian nature. The approach of spring and autumn withering, a fragrant summer night and a frosty day, a rye field stretching endlessly and without edge and a dense shady forest - he writes about all this in his poems. Fet's nature is always calm, hushed, as if frozen. And at the same time, it is surprisingly rich in sounds and colors, lives its own life, hidden from the inattentive eye:

I came to you with greetings

Say that the sun has risen

What is hot light

The sheets fluttered;

Tell that the forest woke up

All woke up, each branch,

Startled by every bird

And full of spring thirst...

Fet perfectly conveys the “fragrant freshness of feelings” inspired by nature, its beauty, charm. His poems are imbued with a bright, joyful mood, the happiness of love. The poet unusually subtly reveals the various shades of human experiences. He knows how to catch and clothe in bright, vivid images even fleeting spiritual movements that are difficult to identify and convey in words:

Whisper, timid breath,

trill nightingale,

Silver and flutter

sleepy stream,

Night light, night shadows,

Shadows without end

A series of magical changes

sweet face,

In smoky clouds purple roses,

reflection of amber,

And kisses, and tears,

And dawn, dawn!..

Usually A. Fet in his poems dwells on one figure, on one turn of feelings, and at the same time, his poetry cannot be called monotonous, on the contrary, it strikes with diversity and a multitude of topics. The special charm of his poems, in addition to the content, is precisely in the nature of the mood of poetry. Muse Fet is light, airy, as if there is nothing earthly in her, although she tells us exactly about the earth. There is almost no action in his poetry, each of his verses is a whole kind of impressions, thoughts, joys and sorrows. Take at least such of them as “Your Ray, flying far...”, “Still eyes, crazy eyes...”, “The sun is a ray between lindens...”, “I extend my hand to you in silence... " and etc.

The poet sang beauty where he saw it, and he found it everywhere. He was an artist with an exceptionally developed sense of beauty, which is probably why the pictures of nature in his poems are so beautiful, which he took as she is, without allowing any decorations of reality. In his poems, the landscape of central Russia is visibly visible.

In all descriptions of nature, A. Fet is impeccably faithful to its smallest features, shades, moods. It is thanks to this that the poet created amazing works that have been striking us for so many years with psychological accuracy, filigree accuracy. Among them are such poetic masterpieces as “Whisper, timid breathing...”, “I came to you with greetings...”, “Don’t wake her up at dawn...”, “Dawn says goodbye to the earth.. .”.