Nikolai Alekseevich Nekrasov childhood of the poet. Nikolay Nekrasov. His life and literary activity (L. Melynin). Serious step. The beginning of creativity
Nikolay Alekseevich Nekrasov Born October 10 (November 28), 1821 in Ukraine, not far from Vinnitsa, in the town of Nemirov. The boy was not even three years old when his father, a Yaroslavl landowner and retired officer, moved his family to the Greshnevo family estate. Childhood passed here - among the apple trees of a vast garden, near the Volga, which Nekrasov called the cradle, and next to the famous Sibirka, or Vladimirka, which he recalled: "Everything that walked and rode along it and was led, starting with postal troikas and ending with prisoners chained, escorted by escorts, was the constant food of our childish curiosity."
1832 - 1837 - studying at the Yaroslavl gymnasium. Nekrasov studies averagely, periodically conflicting with his superiors because of his satirical poems.
In 1838 his literary life began, which lasted for forty years.
1838 - 1840 - Nikolai Nekrasov volunteer student of the philological faculty of St. Petersburg University. Upon learning of this, the father deprives him of material support. According to Nekrasov's own recollections, he lived in poverty for about three years, surviving on small odd jobs. At the same time, the poet enters the literary and journalistic circles of St. Petersburg.
Also in 1838, the first publication of Nekrasov took place. The poem "Thought" is published in the magazine "Son of the Fatherland". Later, several poems appear in the Library for Reading, then in the Literary Supplements to the Russian Invalid.
Nekrasov's poems appeared in print in 1838, and in 1840 the first collection of poems, Dreams and Sounds, signed N.N., was published at his own expense. The collection was not successful even after criticism by V.G. Belinsky in "Notes of the Fatherland" was destroyed by Nekrasov and became a bibliographic rarity.
For the first time, his attitude to the living conditions of the poorest sections of the Russian population and outright slavery was expressed in the poem "Govorun" (1843). From this period, Nekrasov began to write poems of a virtually social orientation, which censorship became interested in a little later. Such anti-serfdom poems appeared as "The Coachman's Tale", "Motherland", "Before the Rain", "Troika", "Gardener". The poem "Motherland" was immediately banned by censors, but was distributed in manuscripts and became especially popular among revolutionaries. Belinsky appreciated this poem so highly that he was completely delighted.
With the borrowed money, the poet, together with the writer Ivan Panaev, rented the Sovremennik magazine in the winter of 1846. Young progressive writers and all those who hated serfdom flock to the journal. The first issue of the new Sovremennik took place in January 1847. It was the first magazine in Russia expressing revolutionary democratic ideas and, most importantly, having a coherent and clear program of action. In the very first issues, "The Thieving Magpie" and "Who is to blame?" Herzen, stories from Turgenev's Notes of a Hunter, Belinsky's articles and many other works of the same kind. Nekrasov published "Hound Hunting" from his works.
The influence of the magazine grew every year, until in 1862 the government suspended its publication, and then completely banned the magazine.
In 1866 Sovremennik was closed. Nekrasov in 1868 acquired the right to publish the journal Domestic Notes, with which he was associated last years his life. During his work in Otechestvennye Zapiski, he created the poems “Who Lives Well in Russia” (1866-1876), “Grandfather” (1870), “Russian Women” (1871-1872), wrote a series of satirical works, the top of which became the poem "Contemporaries" (1878).
The last years of the poet's life were covered by elegiac motifs associated with the loss of friends, the realization of loneliness, and a serious illness. During this period, works appear: "Three Elegies" (1873), "Morning", "Despondency", "Elegy" (1874), "Prophet" (1874), "To the Sowers" (1876). In 1877, a cycle of poems "Last Songs" was created.
The funeral of Nekrasov at the Novodevichy Cemetery in St. Petersburg acquired the character of a socio-political manifestation. Dostoevsky, P. V. Zasodimsky, G. V. Plekhanov, and others delivered speeches at the funeral service. In 1881, a monument was erected on the grave (sculptor M. A. Chizhov).
Streets were named after Nekrasov: in St. Petersburg in 1918 (former Basseynaya, see Nekrasov Street), in Rybatsky, Pargolovo. His name was given to Library No. 9 of the Smolninsky District and Pedagogical School No. 1. In 1971, a monument to Nekrasov was unveiled at the corner of Nekrasov Street and Grechesky Prospekt (sculptor L. Yu. Eidlin, architect V. S. Vasilkovsky).
(453 words) Nikolai Nekrasov cannot be attributed to a single profession, in his work he was multifaceted: he was fond of prose, poetry, and journalism. Therefore, his personality is very multifaceted, and life path- thorny and varied.
The writer was born on November 28, 1821 in the Podolsk province in the city of Nemirov. His parents - Alexei Nekrasov and Elena Zakrevskaya - had different social status and financial situation, so their marriage was not blessed by their parents. However, this did not prevent them from creating a large family in which he was born future writer and 13 other children.
Life in the house could not be called carefree and happy. The cruelty and despotism of the father ran counter to the tenderness and complaisance of the mother, conflicts arose that left a mark on the life and work of the poet.
Youth and education
Nekrasov's education began at the age of 11 with admission to the gymnasium. After a couple of years, he begins to compose his first satirical poems. However, the gymnasium did not accept such creativity, so in 1837 Nekrasov was forced to leave the institution and move to St. Petersburg.
There the writer faced a choice: education or military service. Nekrasov's father, being himself a military man, insisted on military career and gave his son an ultimatum - either military service or deprivation of material assistance. The son chose education. As promised, the poet lost his financial support, and, moreover, did not enter the university. Then he became a volunteer of the Faculty of Philology.
History of success
Finding himself in a difficult financial situation, Nekrasov is forced to find ways to secure his existence. So he begins to write petitions and complaints to order in order to have at least some means.
After such a difficult period of life, luck still smiles at the poet. In 1846, Nekrasov, together with his friend I. Panaev, bought out the Sovremennik magazine, where I. Goncharov, I. Turgenev, F. Dostoevsky and others began their journey. The unstable situation in the country, changes in the format of censorship and the assassination of Emperor Alexander II inexorably led the magazine to close.
The next refuge of the author was "Domestic Notes". During this period, the famous works of the writer are published - “Who should live well in Russia”, “Russian women”, “Grandfather”, in which the author raises such actual problems as devotion, love for the motherland, the values of freedom and happiness.
Personal life
In the personal life of the writer, 3 women left their mark. It is believed that he had the strongest love for Ivan Panaev's wife, Avdotya Panaeva. The couple Avdotya and Nikolai had a son, who soon died. After this tragedy, the lovers parted. Then Nekrasov left for Paris with actress Celine Lefren, but after some time he leaves her and returns to his homeland.
Later, a simple village girl Fyokla Viktorova appears in his fate, who becomes his only legal wife.
Death
In 1875, Nekrasov was diagnosed with a serious illness - intestinal cancer. In 1877, on January 8, the writer dies in the city of Petersburg.
Nikolai Nekrasov made a truly significant contribution to Russian literature. Being a witness peasant life, he was able to describe the events that took place in the country as truthfully as possible. Thanks to this, he received the unofficial status of the writer closest to the people.
Interesting? Save it on your wall!Nikolai Nekrasov is a famous Russian poet, writer and publicist. His works have become classics of Russian literature. He was one of the first poets who began to pay great attention to peasant life.
Biography of Nekrasov
Nikolai Alekseevich Nekrasov was born on November 28, 1821 in Nemirov, Podolsk province Russian Empire. He had 13 brothers and sisters, 10 of whom died in childhood.
Nekrasov's father, Alexei Sergeevich, was a despotic and stern man. Working as police officers (head of the police), he often had to beat out arrears from the peasants by force.
Childhood and youth
Father often took little Kolya with him when he worked on the road. As a result of such forced business trips, the future writer was an unwitting witness to many terrible pictures.
He often saw how peasants unable to pay taxes were beaten to death, and their relatives were subjected to all sorts of human humiliations.
In addition, the father repeatedly arranged orgies with serf girls who had to obey their master.
One of these mistresses was Nekrasov's mother, who suffered ill-treatment from the police officer.
All these events were reflected in the biography of Nekrasov and influenced the formation of his personality.
Education
At the age of 11, Nikolai began to study at the Yaroslavl gymnasium. He did not have a very good academic record due to the fact that he free time wrote .
After studying at the gymnasium for 5 years, he graduated from it in 1837, the year he died tragically. Since the father wanted to make a military man out of his son, in 1838 he got him a job at the Konstantinovsky Artillery School, located in.
However, the future writer was not very interested in military affairs, as a result of which he decided to enter St. Petersburg University.
This decision made my father furious. He threatened his son to stop financial support if he went to university.
Interestingly, this did not frighten Nekrasov at all, as a result of which he began to actively prepare for the exams. But he failed to pass them, so he became a volunteer at the Faculty of Philology.
Difficult years
Due to the fact that the father stopped sending money to his son, Nikolai was in dire need. He often went hungry, and often he simply had nowhere to sleep. For a while he lived on the street, dragging out a miserable existence.
One day a beggar passing by took pity on him and took him to one of the slums where he could at least have a roof over his head.
These years will become the most difficult in Nekrasov's biography, although they tempered his youthful years.
Literary activity
A few years later, Nekrasov managed to adapt to the conditions in which he lived. Soon he began to write short articles and published in various publications. In addition, he periodically gave lessons, thanks to which he had additional income.
Nikolai Alekseevich plunged headlong into literature, reading the works of Russian and foreign authors. After that, he began to hone his skills in writing poems and vaudeville, as well as diligently work on prose.
As a result, he earned the amount of money needed to publish his first collection of poems, Dreams and Sounds (1840).
An interesting fact is that Nekrasov was very upset by criticism of his works, since by nature he was a very emotional person.
Something similar was done before him, who bought and burned the "Hanz Kühelgarten".
However, despite the criticism, Nikolai Nekrasov did not give up, but rather continued to work on himself. Soon he began to collaborate with the well-known St. Petersburg publication Otechestvennye Zapiski.
Every year his work got better, and pretty soon a warm and friendly relationship developed between Nekrasov and Belinsky.
During this period, Nekrasov's biography, his works begin to be actively published and receive positive reviews from critics, including Belinsky himself.
In his financial situation, the writer also did not experience any difficulties. In 1846, together with like-minded people, he acquired the Sovremennik magazine, in which many writers later began to publish:, etc.
Due to the fact that the publication was under tsarist censorship, most of the works were of an adventure nature, but this in no way affected the popularity of the magazine.
In the mid-1950s, a serious trouble occurred in Nekrasov's biography. He falls ill with a sore throat, as a result of which he has to go to Italy for treatment.
After staying there for some time, he recovered and returned to his homeland. In the meantime, his works began to be considered among the best, and Dobrolyubov turned out to be among his true friends and assistants.
In 1866, Sovremennik was closed, as a result of which Nekrasov had to look for new ways to continue his activities.
Soon he rented the publication "Domestic Notes", in which he began to successfully publish own work and collaborate with other writers.
The most famous work in the biography of Nekrasov is the poem “Who in Russia should live well”, which was completed in 1876.
It told about the journey of 7 ordinary men looking for a happy person.
After it, many poems come out from the poet's pen, which have positive reviews, both from critics and from the ordinary reader.
Love in the life of a poet
In the biography of Nekrasov there were 3 women who differed from each other both in character and in social status.
The first love was Avdotya Panaeva, whom Nekrasov first saw in 1842. Soon they began a stormy romance, as a result of which they began to live together.
And although they were not officially scheduled, they managed to live together for more than 15 years. Avdotya was a literate and beautiful woman.
An interesting fact is that Fyodor Dostoevsky was in love with her, who, however, could not achieve reciprocity (see).
The next Nekrasov girl was the Frenchwoman Selina Lefren, who was distinguished by her easy character and simplicity.
Their close relationship developed over several years, but it never came to marriage.
The third and last woman in Nekrasov's biography was Fekla Viktorova.
All her life she lived in the village, and was a very simple and good-natured person.
Despite the fact that she had a meager education, Nikolai Alekseevich fell in love with her unconsciously.
The couple got married six months before the death of the poet, having failed to fully enjoy their married life.
Death
In 1875, Nekrasov was diagnosed with intestinal cancer. The disease caused a lot of suffering, which did not allow him to fully engage in writing.
However, after he began to receive letters from devoted readers, he perked up and took up his pen again.
Sick Nekrasov continues to work in bed In the last years of his life, he managed to write a satirical poem "Contemporaries", as well as compose a number of poems "Last Songs".
Nikolai Alekseevich Nekrasov died on December 27, 1877 at the age of 56. Despite the severe December frosts, thousands of people came to say goodbye to the Russian poet.
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Nikolai Alekseevich Nekrasov came from a noble, once rich family. Born on November 22, 1821 in Vinnitsa district, Podolsk province, in Ukraine, where at that time the regiment in which Nekrasov's father served was quartered. A passionate and passionate man, Alexei Sergeevich Nekrasov really liked women. Alexandra Andreevna Zakrevskaya, a Varshavian, daughter of a wealthy holder of the Kherson province, fell in love with him. Parents did not agree to marry a well-educated daughter to a poor, poorly educated army officer; the marriage took place without their consent and was not happy. The poet always spoke of the mother as a sufferer, a victim of a rough and depraved environment. In a number of poems, especially in "Last Songs", in the poem "Mother" and in "Knight for an Hour", Nekrasov painted a bright image of the one who brightened up the unattractive environment of his childhood with her noble personality. The charm of memories of his mother was reflected in the work of Nekrasov by his unusual participation in the female lot. None of the Russian poets did so much for the apotheosis of wives and mothers. Soon, Major Alexei Sergeevich Nekrasov retired and in the fall of 1824 returned with his family to their native places. In Greshnev, he began the ordinary life of a small estate nobleman, who had only 50 souls of serfs at his disposal. Nekrasov's father is a man of strong temper and despotic character, he did not spare his subordinates. The peasants under his control got it, the household members had enough grief with him, especially the poet's mother, a woman of a kind soul and a sensitive heart, smart and educated. Warmly loving children, for the sake of their happiness and peace, for the sake of their future, she patiently endured and, to the best of her weak strength, softened the arbitrariness that reigned in the house. Serf-owning tyranny in those years was a common, almost universal phenomenon, but from childhood it deeply wounded the soul of the poet, because the victim was not only himself, not only the Greshnev peasants and courtyards, but also the poet’s beloved “blond-haired, blue-eyed” mother. “This ... was a heart wounded at the very beginning of his life,” Dostoevsky said about Nekrasov, “and this wound that never healed was the beginning and source of all his passionate, suffering poetry for the rest of his life.”
But Nekrasov also inherited some positive qualities from his father - strength of character, fortitude, enviable stubbornness in achieving the goal:
As demanded by the father's ideal: The hand is firm, the eye is true, the spirit is tested.
From Alexei Sergeevich, the poet from childhood was also infected with a hunting passion, the same one that later gave him a happy opportunity for a sincere, cordial rapprochement with a peasant. It was in Greshnev that Nekrasov's deep friendship with the peasants began, which later nourished his soul and creativity throughout his life:
It's nice to meet in the noisy capital with a friend in winter,
But to see a friend walking behind a plow in the village in the summer
A hundred times nicer...
So Nekrasov wrote in the summer of 1861 in Greshnev, where he often came after reconciliation with his father. A huge family (Nekrasov had 13 brothers and sisters), neglected affairs and a number of processes on the estate forced his father to take the place of police officer. During trips, he often took Nikolai Alekseevich with him. The police officer's arrival in the village always marked something unhappy: a dead body, collecting arrears, and so on. - and a lot, thus, lay in the sensitive soul of the boy of sad pictures of national grief. In 1832, Nekrasov entered the Yaroslavl gymnasium, where he reached the 5th grade. He studied poorly, did not get along with the gymnasium authorities (partly because of satirical rhymes), and since his father always dreamed of a military career for his son, in 1838, 16-year-old Nekrasov went to St. Petersburg to be assigned to a noble regiment. The matter was almost settled, but a meeting with a gymnasium friend, a student Glushitsky, and acquaintance with other students aroused in Nekrasov such a thirst to learn that he ignored his father's threat to leave him without any financial assistance and began to prepare for the entrance exam. Father quarreled with son
I left my father's house as a child
(For glory, I was in a hurry to the capital) ...
On July 20, 1838, sixteen-year-old Nekrasov set off on a long journey with a "cherished notebook". Against the will of the father, who wanted to see his son in the military educational institution, Nekrasov decided to go to university. Upon learning of his intention, Alexei Sergeevich became furious, sent a letter to his son threatening to deprive him of any material support and assistance. But the father's tough temper clashed with the son's determined temper. There was a gap: Nekrasov was left alone in St. Petersburg, without any support and support. A life began that was completely different from the life of an ordinary noble son. The future poet himself chose a thorny path for himself, more typical of a poor commoner who makes his way through his labor.
He did not pass the university exams due to poor preparation at the Yaroslavl gymnasium and entered the philological faculty as a volunteer. From 1839 to 1841, Nekrasov stayed at the university, but almost all the time he spent looking for work. Nekrasov suffered a terrible need, not every day he had the opportunity to dine for 15 kopecks.
“Exactly three years,” he later said, “I felt constantly, every day, hungry. More than once it got to the point that I went to one restaurant on Morskaya Street, where they were allowed to read newspapers, even if I didn’t ask myself anything. You used to take a newspaper for show, and you yourself would move a plate of bread to yourself and eat. Even Nekrasov did not always have an apartment. In search of earnings at the beginning of life in St. Petersburg, Nekrasov often came to Sennaya Square, where ordinary people gathered: artisans and artisans traded their products, peasants from the surrounding villages and villages sold vegetables and dairy products. For a penny fee, the future poet wrote petitions and complaints to illiterate peasants, and at the same time he listened to popular rumor, learned the innermost thoughts and feelings that wandered in the minds and hearts labor Russia. With the accumulation of life impressions, there was an accumulation of literary forces, already based on a deep understanding of social injustice.
Questions about the report:
1) What family did N.A. Nekrasov?
2) How did the relationship between the parents develop in the Nekrasov family?
3) What character traits did the future poet inherit from his father, and which from his mother?
4) What career did Nekrasov's father predict for his son?
5) Why the first years of N.A. Nekrasov in St. Petersburg is often called "Petersburg ordeals"?
ON THE. Nekrasov entered Russian literature as the author of a collection called “Poems by N.A. Nekrasov", which was published in 1856 and was a huge success among the contemporaries of Nikolai Alekseevich, unseen since the time of Pushkin. This book was the result of many years of work - it included the best that Nekrasov had written by that time.
But the poet's first appearance in print was not at all so successful. His collection “Dreams and Sounds”, published in 1840, which included the youthful poems of the novice poet, repeated the sad fate of the first book of Gogol, so highly valued later by Nekrasov: like Gogol’s “Hans Küchelgarten”, his first collection was destroyed by the author himself. In the article, we will consider what these early lyrics of Nekrasov were, why he suffered such a clear creative failure, and what lesson Nekrasov learned from his first attempt to gain fame and glory.
Nikolai Alekseevich went to St. Petersburg from the Greshnevo family estate, located in the Yaroslavl province. Father Alexei Sergeevich Nekrasov took his son from the Yaroslavl gymnasium, where Nikolai entered at the age of 10, before the end of the course, in order to send him to study at the St. cadet corps. But Nikolai himself dreamed of something else: he was not attracted to military service, he wanted to enter St. Petersburg University. The mother of the future poet, Elena Andreevna, dreamed of the same thing. early years she tried to instill in children a love of literature - she told them about great writers, introduced them to the works of Shakespeare, Dante, Pushkin. In the gymnasium, where education was not on high level, Nekrasov devoted a lot of time to independent reading. Nekrasov's childhood was marked by the fact that his interests were connected with the then popular romantic poetry - Zhukovsky, Pushkin, Byron. Under the influence of these writers, he himself began to try to compose poetry. Even then, the young man dreams of seeing his works in print, unaware of their immaturity and obvious secondary in relation to the great literary samples.
That is why, contrary to the will of his father, Nekrasov was so eager to enter the university: the excellent liberal arts education that he could receive there would allow him to continue his studies in literature at a higher level. But everything turned out differently. Upon learning that his son had disobeyed, his father, who had a quick temper, refused him financial assistance. So Nekrasov's childhood was marked by a tragic episode - 16-year-old Nikolai was left completely alone in a large, cold, hostile city - without money and without any help. Perhaps even Gogol did not experience such hardships and hardships at the beginning of his Petersburg life.
The room had to be rented the most modest, on Vasilyevsky Island, and in order to pay less, Nekrasov settled there with the same poor man, the young artist Danenberg. “In order to feed themselves and pay rent, young people began to sell their things. Soon it got to the point that there was nothing to sell. Then it was decided to sell Nekrasov's overcoat, and be content with Danenberg's overcoat for both of them ... Both Nekrasov and Danenberg had the same boots, and they wore them in turn, ”says the writer N. Uspensky. It is not surprising that during these years Nikolai was seriously ill a lot, which further aggravated the need. He even sometimes had to spend the night in doss houses, along with the beggars. It was then that he acquired that sad, but very valuable experience for a democratic writer, which allowed him to tell so accurately in his poems about the life of the urban poor ("Am I driving down a dark street at night ...", "Masha", the cycle "About the weather " and etc.).
But all these hardships did not break the resolve of the young man, who knew for sure why he went for it. Nekrasov's youth is marked by the fact that he did not neglect any work: he gave private lessons, corrected proofs, wrote petitions, letters, etc. For all this paid a pittance, but still it was better than nothing. We can say that at that time Nikolai Alekseevich lived like many of the heroes of the works of F.M. Dostoevsky - his colleague in the "natural school", whom the poet met a few years later. But unlike them, Nikolai was firm in his intention to go to university and become a writer.
And he got his way. Nekrasov entered St. Petersburg University - he managed to do this only after two attempts. Finally, he was enrolled as a volunteer, began to attend lectures, but again, because of the need, he could not study regularly and systematically. But now he has begun to realize his cherished dream - with the support of his friends, in 1840 Nekrasov publishes a collection of his poems Dreams and Sounds, most of which were written back in his gymnasium years. And here Nekrasov's youth was marked by a terrible blow: instead of fame and recognition, he met with extremely harsh criticism, and even from such a meter as V.G. Belinsky, who noted in his review that "mediocrity in poetry is intolerable."
Why, then, did the one who later became a friend, colleague, and ideological inspirer of Nikolai Alekseevich, so severely evaluate his first poetic experiments? Indeed, Nekrasov's early lyrics were immature, imitative, and artistically weak. The idea of it can be formed from the ballad "The Raven". It talks about how a hungry raven turns to the horse, which brought the knight Thebald to a date with his bride Veronica, and asks him to kill his rider. The horse, seduced by the speeches of the raven, threw off and killed the rider - "the will of fate has come true." The bride, seeing the dead lover, also fell down dead. And this bloody story ends with the words: "... a terrible lot / Tebald befell with Veronica." Other works from this collection also tell about knights, evil spirits, fantastic creatures and mystical events (ballads "Knight", "Waterman", "Witches' Feast", etc.).
At the same time, this collection already included several poems that differ from romantic-fantastic ballads. They feel what will become a distinctive feature of Nekrasov's poetry: the desire to express in verse genuine suffering and pain, sympathy for the humiliated and oppressed.
But there were very few such poems in the collection, and they hardly stood out among the romantic lyrics and ballads that formed its basis. Together with the failure of this book, Nekrasov not only lost hope of gaining fame, but he also failed to improve his financial situation. But the young man drew the necessary conclusions for himself from this whole story. He realized that literature is a very serious matter, to which one must give all the strength of the soul and heart. But even this is not enough: one must have certain knowledge about life, about literature, one must look for one's own place and one's own style in it. And for this he still had a lot to do, a lot to understand, to understand the current literary life.
That is why Nekrasov almost stopped writing poetry and plunged headlong into journalism. He becomes permanent employee such publications as the magazine "Pantheon of Russian and all European theaters", "Literaturnaya gazeta". Their editor was F.I. Horses. The young employee had a lot of work: he prints essays, short stories, novellas, feuilletons, critical articles, reviews. Nekrasov’s dramatic experiments also date back to that time: like many other contemporary writers, he writes small comic plays and vaudevilles for the Alexandrinsky Theater to order - such works of the light genre were popular with the public, although most often they were not original works, but only alterations from the repertoire French theaters. But already here that lively, witty, apt language appears, which later will be a distinctive feature of Nekrasov's style.
True, he tried not to sign these works with his own name, but used various pseudonyms: Naum Perepelsky, Feklist Onufrich Bob, etc. How can one not recall the beginning of the creative path of A.P. Chekhov, because he also had to do daily work in various magazines, mostly humorous, and also in those years the future great Russian writer and playwright used pseudonyms: Antosha Chekhonte, Brother of his brother, etc. This difficult period of their creative life gave each of the writers a lot, not only in terms of material, but also the development of certain artistic principles and techniques. After all, it was not for nothing that Nekrasov’s poetry was then so close to the “prose of the day”, in verse the poet managed to talk about such “non-poetic” things that could only be written about in prose before.
It is also indicative that the work on a large novel called The Life and Adventures of Tikhon Trosnikov (1843) also belongs to Nekrasov’s early work. It outlines the theme that will later enter as the main one in Nekrasov's poetry. The novel is largely autobiographical: it tells about the life of the urban poor, which is opposed to the life of the rich - generals, officials, famous journalists. Petersburg is already here presented by the writer as a city of terrible social contrasts, and his sympathy is entirely on the side of those who live in poverty and cannot even come close to the luxurious mansions of nobles.
The picture drawn by Nekrasov is strikingly similar to those we know from Dostoevsky's works. Obviously, the commonality of ideological and aesthetic principles was also felt by many other contemporary writers of Nikolai Alekseevich, who soon united around Belinsky. Nekrasov's acquaintance with him took place in 1841 and soon turned into friendship. It was the acquaintance with the critic that helped the poet finish his “universities”, better understand both the surrounding life and his own path in literature. In the group of young writers of the “natural school”, Nekrasov became one of the leaders, and with the purchase of the Sovremennik magazine, he plunged headlong into editorial and publishing work.
In those years, he almost never published as a poet, but a deep internal restructuring had already begun to bear fruit. Belinsky saw in Nekrasov a gifted writer, welcomed the appearance of new poems, which were not at all like early immature creativity. One of these poems, written in 1845, delighted the critic. "Do you know that you are a poet - and a true poet!" Belinsky said to Nekrasov. It was the poem "On the Road", which in the famous collection of 1856 opened its first section. Thus ended the first student experiences of the poet, and the road to great literature really opened before him, where he has since taken the place of one of the most original, unlike any other Russian poets.
