Analysis of the poem “You and I are stupid people .... Analysis of the poem You and I are stupid people Nekrasov Nekrasov You and I are stupid people
Nikolai Alekseevich Nekrasov is a prominent figure in Russian literature of the 19th century. It is he who is considered the main successor of the cause of the romantics - Pushkin and Lermontov. This poet is a master of the artistic word - he masterfully mastered all lyrical genres - poems, poems, elegies. Of course, for many inquisitive readers, Nekrasov is the author of "folk poems", in which he skillfully conveyed the bitter fate of the peasants and general injustice, but this is only one of the facets of his talent. He is also an unsurpassed lyric poet.
“You and I are stupid people” is a stunning lyric poem by Nekrasov, written in 1851. The history of the creation of this work is closely intertwined with the love story of the author. Nikolai Alekseevich loved Panaeva, a married woman, tried in every possible way to achieve her location. Secret meetings, attempts to keep relations in the strictest confidence were unsuccessful, and in 1846 something unimaginable happened - the poet became a lover of the Panaevs' house, that is, Panaeva, her husband and Nekrasov himself lived in the house.
Of course, such cohabitation was actively discussed in secular society, put up for general discussion, which could not but anger the lovers. It was from 1846 that Nikolai Nekrasov began to quarrel with Panaeva and came to the conclusion that to describe this phenomenon, to try to explain the nature of quarrels and their meaning.
Genre, direction and size
From the first lines it becomes clear that the poem can be safely attributed to love lyrics, because, speaking of lovers, there can be no other feeling than love. Nekrasov continues the tradition of romanticism, but also depicts shades of realism in his own lyrics, filling it with ordinary mundane sketches.
The poem is written in three-foot anapaest using cross rhyme (ABAB). Literary scholars have already agreed that it is the anapaest that is the best of the syllabo-tonic meters, capable of conveying the lyricism and sensuality of the mood of the lyrical hero, thanks to the rather non-dynamic alternation of stressed syllables.
Images and symbols
The lyrical hero and his beloved are all the characters in the lyrical work. Both of them love each other, but their temper makes itself felt in outbreaks of quarrels. The author calls himself and the chosen one stupid people, giving this adjective a completely harmless meaning. He is touched by the ability of each of the lovers to instantly ignite with anger and immediately fade away.
It is also worth noting that in love lyrics there cannot be a motive of love, a romantic feeling between a man and a woman. The motive of the quarrel is the backbone of the poem, which was the reason for writing the work.
Themes and mood
The main theme of the poem is the passionate relationship of lovers. The writer masterfully conveys the tension between them - "the soul excites and torments." Nekrasov does not describe the phenomenon of a quarrel very tragically, he is sure that this is inevitable, therefore, one must treat the quarrel philosophically - as a test of relationship for strength.
There is another theme in the poem - the theme of reconciliation of lovers. The poet does not paint a picture of a happy day for the couple, the reader can only guess how much it will be good for the two of them, because the question that it may suddenly happen that the lovers do not reconcile is not even worth it.
Of course, all these micro-themes are parts of the main theme, love. Relationships between a man and a woman are a natural phenomenon that develops dynamically, so there will always be ups and downs, quarrels and reconciliations.
Main idea
The main idea of the poem is that a quarrel is a natural period in the relationship of loving people. To reconcile, you need to express emotions. Although this moment is sharp, but the stronger the feeling of love after a quarrel.
Means of artistic expression
The poem is small in volume, so it is not replete with epithets and metaphors, but they still have a place to be.
“An unreasonable, harsh word” is a very figurative epithet that conveys the attitude of the lyrical hero to the nature of the quarrel. The hero is aware that the conflict is a stupid and impulsive act that cannot be taken with the utmost seriousness. Fighting is an emotion.
“Prose in love” is a popular metaphor for writers that describes the dullness and everydayness, and sometimes the negative aspects of love.
Interesting? Save it on your wall!
You and I are stupid people:
What a minute, the flash is ready!
Relief of an agitated chest,
An unreasonable, harsh word.
Speak up when you're angry
Everything that excites and torments the soul!
Let us, my friend, be angry openly:
The world is easier - and more likely to get bored.
If prose in love is inevitable,
So let's take a share of happiness from her:
After a quarrel so full, so tender
The return of love and participation ...
Analysis of the poem "You and I are stupid people" by Nekrasov
The personal life of N. Nekrasov was rather strange and caused constant ridicule and gossip in society. The poet in his youth fell madly in love with A. Panaeva, who at that time was already married. Nekrasov was able to achieve reciprocity and from 1846 he lived in the same house with his spouses. Such an unusual development of the novel often led to violent quarrels and scandals. Both lovers were very quick-tempered people, so any little thing was enough for the next conflict. However, these disagreements were always temporary, after each quarrel, reconciliation quickly came. In 1851, Nekrasov wrote the poem "You and I are stupid people ...", in which he described his difficult relationship with Panaeva.
Nekrasov immediately gives an apt definition of himself and his beloved - "stupid people." That is how they were perceived by the surrounding society. After all, Panaeva's husband was well aware of their love relationship, which took place in his house. Therefore, he, too, can be called a "stupid person." In the 19th century, such a relationship was simply unthinkable. But Nekrasov does not seem to care too much about how his novel is perceived in society. He explains the "stupidity" by excessive irritability ("What a minute, then the flash is ready!"). He confirms that the cause of a serious conflict is "an unreasonable, harsh word." The poet was tormented by jealousy and often arranged stormy explanations. Panaeva, feeling right, did not answer. In their hearts, they could tell each other a lot of superfluous things.
Nekrasov, after five years of original life together, already had experience in such relationships. Therefore, he turns to his beloved with a request not to keep irritation in himself, but to immediately express what has accumulated in his soul. He encourages her to "get angry openly." The longer the anger builds up, the stronger and longer the scandal will be. If you let it splash out more often, then reconciliation will come faster. Probably, the constant presence of her lawful husband led Nekrasov to such a thought. It is unlikely that the lovers spoke openly about their relationship with him. Hidden life led to forced silence. Frank conversations began when the lovers were alone.
Nekrasov is even grateful to quarrels (“prose of love”), because after them reconciliation always comes, emphasizing the strength of mutual feelings.
The poet, even in lyrical works, strove for a real depiction of reality. The poem "You and I are stupid people" is an example of Nekrasov's love lyrics. It reflects the author's deeply personal experiences.
The poem "You and I are stupid people" was written in 1851 and published in Sovremennik No. 11, 1851. It was included in the collection of poems in 1856. In 1865 it was set to music.
It is dedicated to Avdotya Panaeva, wife of Ivan Panaev and civil wife of Nikolai Nekrasov. Young Nekrasov met Panaeva in 1845, at which time friends Nikolai Nekrasov and Ivan Panaev bought out Sovremennik, founded by Pushkin, and threw themselves into work. Roman Nekrasov and Panaeva lasted about 16 years, three of their children died as soon as they were born.
Avdotya Panaeva at the time of her acquaintance with Nekrasov was a written beauty, the mistress of the salon. Many contemporaries were in love with her. She perceived Nekrasov as one of the gentlemen. For more than a year, the writer proved to his beloved the seriousness of feelings. Nekrasov rented an apartment next to the Panaevs, and then the three of them began to live in the same house.
It was impossible for the Panaevs to get a church divorce; this did not bother Nekrasov. Society condemned the civil marriage of Nekrasov. Ivan Panaev, as they say, tripled this state of affairs: he was a rake. Nekrasov was jealous of Panaev for her husband. Both scandalized with rapture.
All three were excellent writers, they worked fruitfully together. Panaeva was the inspiration, the muse of Nekrasov (he called her the second muse), they co-authored several novels. Panaeva worked on equal terms with men in Sovremennik, was a proofreader.
Nekrasov and Panaeva often quarreled, their life was an alternation of quarrels and reconciliations, partings and meetings. They had difficult personalities. After a quarrel, Nekrasov often wrote poetry to Avdotya. They are united in the so-called "Panaev cycle". One of them is "You and I are stupid people."
Literary direction, genre
The poem "You and I are stupid people" is the best example of Nekrasov's love lyrics. This is not a romantic admiration for the perfections of the beloved. The lyrical hero addresses the earthly woman. She is not only not without flaws, but absurd, but this makes her even more loved!
Theme, main idea and composition
The poem consists of three stanzas. The first stanza is a picture, a description of the internal state of those who quarreled. It is static, completely devoid of action (there are no verbs in it). This is a frozen state that needs to be changed.
The second stanza, on the contrary, is filled with verbs. This is an appeal to a beloved (who is, first of all, a friend). The lyrical hero, using imperative verbs, encourages her to talk about everything that worries and torments, to be angry openly. The lyrical hero believes that it is easier to make peace this way. The remark that the quarrel is "rather boring" suggests that the heroine enjoys the scandal, this is her usual occupation.
The third stanza is again static. This state is the expectation of the coming of peace, the return of love. The only verb in the phrase “let's take a share of happiness” does not imply active actions. This is a kind of "philosophy for those who quarrel." The lyrical hero calls conflicts the prose of love, but believes that it is thanks to them that love flares up brighter.
The theme of the poem is a quarrel and reconciliation of lovers.
The main idea: a quarrel is a natural period in the relationship of loving people. To reconcile, you need to express emotions. Although this moment is sharp, but the stronger the feeling of love after a quarrel.
Paths and images
In the first stanza, the state of the quarreling lovers is described with the help of epithets: stupid people, excited breast, irrational, harsh word. Synonyms stupid – unreasonable reinforce awareness of the guilt of the lyrical hero in a quarrel.
The whole poem is based on metaphors, conveying the feelings of the characters: the flash is ready, the relief of the agitated chest, the soul excites and torments, it is open to be angry, the world is easier, prose in love, a share of happiness, the return of love and participation.
Nekrasov uses such a technique of sound writing as alliteration. An abundance of hissing and whistling ( s, h, h, st) conveys the sounds of a quarrel, sonorous sounds make the narration smoother and more measured, extinguish emotions.
Size and rhyme
The poem is written in three-foot anapaest. Rhyme for women. The smoothness and melodiousness of the poem emphasize its rational nature, a look at the quarrel as if from the outside, after what happened. Poetic confession is the result of a quarrel and an attempt at reconciliation.
- “Stuffy! Without happiness and will…”, analysis of Nekrasov’s poem
- "Farewell", analysis of Nekrasov's poem
- “The heart is breaking with flour”, analysis of Nekrasov’s poem
You and I are stupid people:
What a minute, the flash is ready!
Relief of an agitated chest,
An unreasonable, harsh word.
Speak up when you're angry
Everything that excites and torments the soul!
Let us, my friend, be angry openly:
The world is easier - and more likely to get bored.
If prose in love is inevitable,
So let's take a share of happiness from her:
After a quarrel so full, so tender
The return of love and participation ...
Poem by N.A. Nekrasov "You and I are stupid people", first published in Sovremennik in 1851, addressed to A.Ya. Panaeva and is included in the so-called "Panaevsky cycle". The poet was 22 years old when he met A.Ya. Panaeva. She was 24 years old. Yesterday's proletarian, a literary vagabond, of course, at first he did not even dare to dream of the favor of such a brilliant lady. Her husband married her when Avdotya Yakovlevna was not yet nineteen, "almost in order to flaunt a beautiful wife in front of friends and walk with her to music in Pavlovsk." It was not easy for N.A. Nekrasov this woman. Out of desperation, he almost rushed into the Volga, but he was not such a person to fall behind. This duel lasted from 1843 to 1848, when she finally became his wife. But by this time A.Ya. Panaeva and N.A. Nekrasov were already completely different people.
The poem "You and I are stupid people ..." is about love, but love is not romantic, enthusiastic. Key words that speak about relationships A.Ya. Panaeva and N.A. Nekrasov, - "minute", "flash", "excites and torments the soul", "share of happiness", "return of love".
There are two heroes in the poem: he and she, the lyrical hero and his beloved. The poem "You and I are stupid people ..." - the appeal of the lyrical hero to his beloved. ON THE. Nekrasov uses the appeal ("my friend"), verbs in the imperative mood ("speak").
This lyrical work can be divided into two parts: 1) a description of life, quarrels; 2) the appeal of the lyrical hero to his beloved (request, offer of compromise).
In this poem, consonant sounds [w], whistling, are repeated. Alliteration helps convey the ardor of a quarrel, indignation, indignation. In addition, hissing and whistling sounds affect the sound of the poem, slowing it down, making it more drawn out. Undoubtedly, the poetic size - an anapaest that conveys duration - was also chosen by the author not by chance.
ON THE. Nekrasov long and painfully loved the writer A.Ya. Panaev. He sings in his poems of deep love, mutual understanding and friendship of those who love. However, life is complex and tragic, and N.A. Nekrasov often talk about the dramatic pages of their love. The poet writes about this in the poem "You and I are stupid people ...". Heavy quarrels very often occurred between them, but love won, and they reconciled again. The poet here refers to Panaeva, calling both stupid due to frivolous quarrels that flare up like a match.
He asks her not to collect irritation, anger, resentment in herself, not to accumulate it, but to give them an outlet. It is better to shout out, to speak openly, not to conceal, and then it will become easy on the soul, and there will be no secrets between them. After all, "the world is easier - and more likely to get bored." And if there is a prose of life in love, then happiness can also be extracted from it: after a quarrel, love flares up even more.
The heavy, quick-tempered nature of the poet and the ambiguity of the relationship with Panaeva are reflected in the first line of the poem, where the author calls the lyrical heroes "stupid". He explains this by the fact that quarrels and disagreements flare up in their relationship every minute. However, the author perceives these moments of life together not as something destructive, but rather as a relief for the soul. At the same time, the poet does not focus on the angry words spoken during the quarrel.
On the contrary, he appeals to his beloved with a call to speak, not to hold back negative emotions inside, to throw out everything that worries. Nekrasov sincerely believed that calm everyday life did not make life easier, he recognized that quarrels were necessary because they were an adornment of routine life. The lyrical hero in the process of reflection pays special attention to the fact that after a stormy quarrel there always comes a sweet reconciliation. And, since life is impossible without quarrels and violent quarrels, only benefit should be taken out of them, because only during such outbreaks does an understanding of each other occur, loving people begin to show more participation to their other half.
The history of the poem
Joint activities in the Sovremennik magazine, founded by Alexander Sergeevich Pushkin, led to the fact that in 1845 old friends, Nekrasov and Panaev, bought the publication. The poet's fateful acquaintance with Panaev's wife, Avdotya Yakovlevna, took place long before that, at one of the poetic evenings. She was a very beautiful, educated and talented young woman, the owner of a literary salon. Many cultural figures sought the favor of the beauty, among them was Nekrasov. Panaeva rejected the 26-year-old admirer for a long time, explaining that she did not believe in the sincerity of his feelings.
The personal relationship of the poet and Panaeva was not distinguished by calmness and regularity. Contemporaries noted many quarrels that arose almost from scratch. The reason could be a careless glance or an accidentally dropped word. It was after one of these disagreements that the poem “You and I are stupid people ...” appeared. In addition to this work, the "Panaevsky cycle", which critics recognized as a masterpiece, includes other poems and stories. Their hallmark is deep reflections on feelings, love, everyday life.
Throughout the year, the poet sought the attention of Avdotya Yakovlevna, even rented an apartment next to the Panaevs' house. After a joint trip to Kazan, where the lovers explained their feelings to each other, the two families began to live under the same roof, which caused public discontent. However, young people in love were satisfied with this situation. Despite the fact that relatives, acquaintances and even closest friends turned their backs on the writer, he experienced a true sense of happiness.
Ivan Panaev was a lover of women and had a reputation as a rake. He did not pay attention to his wife from the first year of their life together. But the church did not give permission for the divorce of a married couple, so there was no other way out. The civil marriage of Nekrasov and Panaeva took place under the same roof with her official spouse, which led to numerous quarrels and scandals arising from the poet's jealousy.
In fact, all the participants in this drama were her hostages.
Despite the ambiguity of the situation, the joint work on literary works and in the editorial office was very fruitful, which united young people. At the same time, Avdotya served as a proofreader in the magazine and, at the same time, was the poet's muse. In 1848, Nekrasov came up with the idea of writing works together. In those days, this was the first attempt at joint creativity, which did not arouse enthusiasm in the literary community. However, the lovers discussed the general idea, decided on the plot, and the creation was written.
Their first novel, Three Countries of the World, was critically acclaimed, popular, and helped Sovremennik stay afloat, filling up with material from issue to issue. The second joint work, Dead Lake, did not have such success, since Avdotya Yakovlevna worked on it almost alone, Nekrasov was completely immersed in editorial concerns.
In 1849, the couple had their first child. But the boy, named Ivan, was very weak and died after a few weeks. Perhaps that is why by 1855 relations between Nekrasov and Panaeva began to subside, but they continued to live in the same house. The couple broke up in 1863, shortly after the death of Ivan Panaev.
Women of Nekrasov
Throughout his life, Nikolai Alekseevich had three long novels. The first one, who left an indelible mark on the poet's soul, was with Panaeva. Despite the difficult breakup, the writer kept her image in his soul all his life and even mentioned it in his will.
In 1864, Nekrasov made a three-month trip abroad. He was accompanied by the poet's sister, Anna Alekseevna, and the Frenchwoman Selina Lefren. The actress of the Mikhailovsky Theater had a calm and easy character, which attracted the writer very much. Their relationship can be called rather cool, but Nekrasov was pleased with the rare meetings. In 1867, they again go abroad, however, Selina has not returned from it. In the summer of 1869, Nekrasov improved his health for a month on the French coast. But first he went to Paris, where he met with the actress again.
The only official wife of the writer was a simple peasant girl Fekla Anisimovna Viktorova. At the time of their first meeting, she was 23 years old. Nekrasov was almost twice her age. Sincere admiration for the talent of the writer, memorization of his works flattered the author. In order to supplement the meager upbringing and fill in the gaps in cultural life, Nikolai Alekseevich took the girl to exhibitions, theatrical performances, taught her to read and write, languages. The only thing that haunted the writer was the name of the chosen one. Nekrasov considered it too simple and replaced it with a more attractive one, Zinaida Nikolaevna.
Nekrasov's acquaintance with his future wife happened in 1870, and in 1875 doctors diagnosed him with a fatal disease, intestinal cancer. Being in a state of strong emotional oppression, the author writes "Last Songs". Perhaps the news of his imminent death, or perhaps the sincerity and sincerity of the work allowed critics to attribute it to the best that came out of Nekrasov's pen.
The wedding with Zinaida took place a few months before the death of the writer, in 1877. Already after the funeral, the Nekrasov family accused the girl of selfish motives and took away all the property, including the results of dying creativity.
Composition of the poem
The work consists of three stanzas, each of which has its own emotional coloring:
The first stanza does not contain a single verb, therefore it evokes a feeling of static, inaction, it describes the current situation and literary heroes;
The second stanza is filled with verbs of the imperative mood, it encourages the heroine to act here, the reader can see a clear indication that the beloved is an ordinary earthly woman, with flaws and a complex character, but this makes her even more beloved by the lyrical hero;
The third speaks of the expectation of reconciliation and subsequent happiness, it is philosophical in nature, explaining the role of a quarrel in everyday life.
The poem "You and I are stupid people ..." is written in a three-foot anapaest, to give melody to the stanzas, the author used female rhyme, that is, the emphasis on the last syllable. The main idea of the poem is that quarrels and discord should be present in every life, as they bring sharp emotions to love relationships and lead to violent reconciliation.
The means of artistic expression in the work are used with great care. It is thanks to this that after reading the impression of participation in a real life situation remains.
