Biography of Mayakovsky: the most important and interesting. Biography of Mayakovsky. Highlights from the life of the poet Mayakovsky’s calling card

The famous and beloved futurist poet Vladimir Mayakovsky in Russia was born in the town of Baghdadi, which is located in the Kutaisi province, on July 19, 1893. He is widely known as an excellent playwright, a talented journalist, a wonderful screenwriter and director, and an excellent artist. Mayakovsky's creative biography made him a symbol of his era. Vladimir Vladimirovich is one of the most famous artists of the Soviet period.

Brief biography of Mayakovsky

The poet comes from a noble family. His father served as a forester in the Transcaucasian Erivan province. In 1902, Vladimir was sent to study at the city gymnasium. However, four years later, the poet’s father suddenly dies. After this tragic event, the family moved to live in Moscow.

In the capital, Mayakovsky, having passed the exams, becomes a student at the fifth classical gymnasium. But already in 1908 he was expelled from the educational institution due to non-payment.

Even in the Caucasus, Vladimir takes part in student demonstrations. After he ended up in Moscow, fate brings him together with young people involved in the dissemination of revolutionary ideas. He becomes one of the members of the RSDLP and conducts propaganda work among the workers, for which he is arrested several times.

Mayakovsky's biography indicates that it was this circumstance that influenced the formation of the poet as a revolutionary. During 1908-09, Vladimir Vladimirovich managed to go to jail three times and was released due to lack of evidence. However, he had to remain in custody for eleven months. It was during this time that the first poems that Mayakovsky wrote appeared.

The biography and work of Vladimir Vladimirovich are closely interconnected. His stay in prison marked the beginning of his development as a poet.

After being released from prison, Mayakovsky entered a preparatory class where he studied with artists S. Zhukov and P. Kelin. After some time, the young poet’s poems are already published in almanacs. But soon he was expelled from this educational institution for participating in unauthorized futurists.

In 1912, in one of the almanacs of the Gileya group, a manifesto was published under the authorship of V. Mayakovsky and V. Khlebnikov, and others. It stated the importance of creating a new literary language that corresponds to the modern era, and is not subordinate to traditional literary canons. The embodiment of these ideas was the production of the tragedy “Vladimir Mayakovsky” in St. Petersburg in 1913, where the author acted as the leading actor and director. At the same time, a collection of poems entitled “I” was published.

During the First World War, he created works exposing the senselessness and cruelty of military operations. One of them is "Cloud in Pants", which predicts the coming revolution.

Mayakovsky's biography indicates the poet's active social activities. In 1918, he created the Komfut association, which translated means communist futurism, published in the weekly Art of the Commune.

In 1920, Vladimir Vladimirovich joined the creative association LEF, where he met S. Tretyakov and B. Pasternak and other figures from various fields of art.

In the twenties, Mayakovsky worked simultaneously in several directions. He is a correspondent for a number of Soviet newspapers. In order to promote new values, he writes ditties, poetry and topical satire. During this period, the poems “Good!” were created. and "Vladimir Ilyich Lenin".

The poet often visits foreign countries, where he gets ideas for creating “anti-bourgeois” poems. He travels a lot around the country, reading his best works from the stage. Vladimir Vladimirovich's speeches, intended for a simple listener, were accompanied by jokes and improvisations.

Mayakovsky's biography indicates that the 30s were a turning point in the poet's life. In addition to failures in his personal life and constant conflict with the outside world, he is in danger of losing his voice. The last straw was the disastrous production of the play “Bathhouse”. These and other factors provoked Mayakovsky to commit suicide.

After the death of the poet, his works fell under the ban, which was lifted by I. Stalin only in 1939, at the request of L. Brik.

Mayakovsky's creative path.
Vladimir Vladimirovich Mayakovsky (07/19/1893 – 04/14/1930) is one of the most famous Soviet poets who had a significant influence on the literature of the 20th century.
Vladimir Mayakovsky spent his childhood in Georgia; in 1906, the family of the future poet moved to Moscow, where young Mayakovsky entered the local classical gymnasium, from where he was expelled a few years later due to the inability to pay tuition. Then he was enrolled in the preparatory class of the school and became a member of the RSDLP.
In the period from 1909 to 1910, the future poet spent seven months in Butyrka prison, where he composed his first poems. It is this moment that can be considered the beginning of Mayakovsky’s literary activity.
After his release, Vladimir Mayakovsky became obsessed with the idea of ​​creating “socialist art,” and therefore in 1911 he entered the School of Painting, Sculpture and Architecture.
At the end of 1912, in the almanac “A Slap in the Face of Public Taste,” the poet made his debut with the poems “Morning” and “Night.” It was in this issue that the famous program manifesto of the Cubo-Futurists was presented to the public, which recorded the rejection of the country's literary heritage.
The first collection of poems by Vladimir Mayakovsky, “I,” was released in 1913. The poet's performances in different cities of Russia at the same time as part of a group of futurists became the reason for his expulsion.
In 1915-1917, the poet completed military service at the Automotive Training School. At the same time, he continued to engage in literary activities. During these years, such famous works as “Cloud in Pants” and “Man” were written, and the collection “Simple as a Moo” was published.
The year 1915 was marked by the acquaintance of Vladimir Mayakovsky with Lilia Brik, who became his muse for many years. The difficult relationship with this woman and her husband was the reason for the poet’s strong emotional experiences.
Mayakovsky greeted the October Revolution and the changes that inevitably followed with delight; his work at that time acquired a completely new sound.
Since 1918, Mayakovsky actively supported the new government and became the organizer of the Comfut group. In 1919-1921, the poet worked at Windows of ROSTA, during which time he produced more than one thousand propaganda and satiristic posters with poetic lines. Later, Vladimir Mayakovsky acted as the organizer of the “Left Front of the Arts” and publisher of the magazine “LEF”.
During these years, Vladimir Mayakovsky traveled around Europe, visited Germany and France, and in 1925 visited the USA, where he spoke to the public and introduced him to his work. The impressions from these trips were reflected in the poetic cycles “Paris” and “Poems about America.” In 1925-1928, the poet traveled around the USSR with his performances.
The end of the 20s became a time of deep internal crisis caused by general disappointment from the results of the revolution. These sentiments were embodied in the work of Vladimir Mayakovsky, which began to be increasingly criticized. Many of his works (for example, the comedies “The Bedbug” and “Bathhouse”) were created with the aim of exposing a society that, in the poet’s opinion, betrayed revolutionary values.
At the beginning of 1930, Mayakovsky joined the Russian Association of Proletarian Poets. However, this act did not find understanding among his friends and like-minded people. The poet experienced the alienation very hard, burdened by problems in his personal life.
The last time Vladimir Mayakovsky protested against all the imperfections of the post-revolutionary world was in April 1930, committing suicide. His ashes were buried at the New Donskoy Cemetery, and later transferred to the Novodevichy Cemetery.

On April 14, 1930, Vladimir Mayakovsky passed away. While in his office in Lubyansky Proezd, the poet shot himself with a revolver. The bullet pierced the chest of the “singer of the revolution” and he died before the ambulance arrived. Our team will help you uncover the veil of secrecy surrounding this strange act.

Interesting facts from life: biography of Mayakovsky

The investigation into the death of Vladimir Mayakovsky established that he committed suicide. But it was precisely in unison with the official version of the poet’s death that an alternative version sounded - Mayakovsky was killed. Until now, literary scholars studying the life and work of the poet are arguing whether he died voluntarily or was killed. And so, on the eve of the 85th anniversary of the death of Vladimir Mayakovsky, which was celebrated by the literary community in April 2015, his only daughter Helen Patricia Thompson, living in the United States, again stated that her father did not commit suicide, but was killed.

It was this possibly provocative statement by Ms. Thompson that overnight caused a huge wave of increased attention to the personality of Vladimir Mayakovsky, whose biography is filled with interesting facts.


Mayakovsky, like any normal person, was afraid of death, and he was horrified by the mere thought of dying by contracting some kind of infection. Now they would say that Vladimir Mayakovsky suffered bacteriophobia. Mayakovsky developed a fear of becoming a fatal victim of microbes after his father pricked his finger with an ordinary needle and died of blood poisoning. This had such a strong impact on the teenager’s psyche that for the rest of his life the poet carried a soap dish with him and, whenever the opportunity presented itself, washed his hands several times.

In this man, according to some unknown life algorithm, seemingly incompatible things were connected: he was rude, sometimes even obscene, and at the same time vulnerable, attentive and gentle. He was very touching towards the elderly. There is evidence that the poet found elderly people and helped them financially, while preferring to remain anonymous.

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In Moscow taverns and taverns, Mayakovsky was known as an inveterate brawler. He was arrested by the police three times for his revolutionary sentiments. However, even in prison, he continued to show character
and the guards were forced to send the scandalous poet to solitary confinement.


Was the poet a fatalist? Many of his contemporaries admitted that Mayakovsky indulged in “Russian roulette.” An interesting fact from the biography of Vladimir Mayakovsky indicates that he was a very gambling player. If he was unlucky at cards, he quickly switched to billiards. Naturally, he played for money. One day, Vladimir Vladimirovich simply lost completely. Since he had nothing to pay with, he left his rival a power of attorney to receive from one of the publishing houses the fee due to him for the article “How to Make Poems.”

An interesting fact from Mayakovsky’s life: despite his stern, gloomy appearance, Vladimir Vladimirovich was a rather sentimental person. The poet loved pets. Particularly attached to dogs. He even once picked up a puppy on the street and brought it into the house, calling him simply Puppy. By the way, he later signed this nickname in passionate notes to his beloved Lily Brik.
Lilya Brik was the mistress of Vladimir Mayakovsky, his permanent muse. Therefore, during his lifetime, the poet bequeathed all his poems to the Brik family. No matter how strange it may seem, Lilya Brik was married, and if the Moscow elite of the 20s vigorously discussed the relationship of the Russian futurist with a married woman, then the participants in the love triangle frankly did not care about conventions. After five years of close acquaintance with the Brik couple, Mayakovsky generally moved into their house. The lovers did not hide their warm relationship and, surprisingly, Lily’s legal husband Osip Brik was not against this state of affairs. It happened that while Mayakovsky was enjoying communication with his muse, Osip corrected his friend’s “crooked” poetic lines, since he had a dislike for commas.

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• The poet hated pins and hairpins.
• Self-criticism:
  

  No, I'm not handsome enough to not shave every day.

• Anecdote from Mayakovsky:
  

  — Among Russians I feel like a Russian, among Georgians I feel like a Georgian...
  Question from the audience:
  - And among fools?
  Answer:
  - And this is my first time among fools.

Concluding the story about the great Russian poet, about whose poems Vladimir Lenin said: “Some kind of Tararaboumbia,” one cannot ignore the following interesting fact about Mayakovsky. While in Berlin, Vladimir Vladimirovich went into a shoe store and, after much trying on, decided on semi-sports shoes with thick soles. He immediately put them on, paid and said: “Big, expensive and strong, like Russia itself!”

Mayakovsky Vladimir Vladimirovich (1893-1930) - Russian poet, playwright and satirist, screenwriter and editor of several magazines, film director and actor. He is one of the greatest futurist poets of the twentieth century.

Birth and family

Vladimir was born on July 19, 1893 in Georgia in the village of Bagdati. Then it was the Kutaisi province, in Soviet times the village was called Mayakovsky, now Baghdati has become a city in the Imereti region in western Georgia.

Father, Vladimir Konstantinovich Mayakovsky, born in 1857, was from the Erivan province, where he served as a forester and had the third rank in this profession. Having moved to Bagdati in 1889, he got a job in the local forestry department. My father was an agile and tall man with broad shoulders. He had a very expressive and tanned face; jet black beard and hair combed to one side. He had a powerful chest bass, which was completely passed on to his son.

He was an impressionable person, cheerful and very friendly, however, his father’s mood could change sharply and very often. He knew a lot of witticisms and jokes, anecdotes and proverbs, various funny incidents from life; was fluent in Russian, Tatar, Georgian and Armenian languages.

Mother, Pavlenko Alexandra Alekseevna, born in 1867, came from Cossacks, was born in the Kuban village of Ternovskaya. Her father, Alexey Ivanovich Pavlenko, was a captain of the Kuban infantry regiment, participated in the Russian-Turkish war, had medals and many military awards. A beautiful woman, serious, with brown eyes and brown hair, always combed back smoothly.

Volodya's son was very similar in face to his mother, and in manners he looked exactly like his father. In total, five children were born into the family, but two boys died young: Sasha in infancy, and Kostya, when he was three years old, from scarlet fever. Vladimir had two older sisters - Lyuda (born in 1884) and Olya (born in 1890).

Childhood

Volodya recalled picturesque beautiful places from his Georgian childhood. The Khanis-Tskhali river flowed in the village, there was a bridge across it, next to which the Mayakovsky family rented three rooms in the house of local resident Kostya Kuchukhidze. The forestry office was located in one of these rooms.

Mayakovsky remembered how his father subscribed to the magazine Rodina, which had a humorous supplement. In winter, the family gathered in the room, looked at a magazine and laughed.

Already at the age of four, the boy really liked to be told something before going to bed, especially poetry. Mom read Russian poets to him - Nekrasov and Krylov, Pushkin and Lermontov. And when his mother was busy and could not read a book to him, little Volodya began to cry. If he liked a verse, he memorized it and then recited it loudly in a clear, childish voice.

As he grew a little older, the boy discovered that if he climbed into a large clay vessel for wine (in Georgia they were called churiami) and read poetry there, it would become very echoing and loud.

Volodya's birthday coincided with his father's birthday. They always had a lot of guests on July 19th. In 1898, little Mayakovsky specially for this day memorized Lermontov’s poem “Dispute” and read it in front of the guests. Then the parents bought a camera, and the five-year-old boy composed his first poetic lines: “Mom is glad, dad is glad that we bought the device”.

By the age of six, Volodya already knew how to read; he learned on his own, without outside help. True, the boy did not like the first book he read in its entirety, “The Birdkeeper Agafya,” written by the children's writer Klavdiya Lukashevich. However, she did not discourage him from reading; he did it with gusto.

In the summer, Volodya filled his pockets full of fruit, grabbed something edible for his dog friends, took a book and headed out to the garden. There he sat under a tree, lay on his stomach and could read in this position all day. And next to him, two or three dogs lovingly guarded him. When it got dark, he would roll over on his back and could spend hours looking at the starry sky.

From an early age, in addition to his love of reading, the boy tried to make his first visual sketches, and also showed resourcefulness and wit, which his father greatly encouraged.

Studies

In the summer of 1900, his mother took seven-year-old Mayakovsky to Kutais to prepare him for entering the gymnasium. His mother’s friend studied with him, and the boy studied with great enthusiasm.

In the fall of 1902, he entered the Kutaisi classical gymnasium. While studying, Volodya tried to write his first poems. When they got to his class teacher, he noted the child’s unique style.

But poetry at that time attracted Mayakovsky less than art. He drew everything he saw around him, and he was especially good at illustrations of the works he read and caricatures of family life. Sister Lyuda was just preparing to enter the Stroganov School in Moscow and studied with the only artist in Kutais, S. Krasnukha, who graduated from the St. Petersburg Academy of Arts. When she asked Rubella to look at her brother’s drawings, he ordered the boy to be brought and began teaching him for free. The Mayakovskys had already assumed that Volodya would become an artist.

And in February 1906, the family suffered a terrible tragedy. At first there was joy, my father was appointed chief forester in Kutais and everyone was happy that now they would live as a family in the same house (after all, Volodya and sister Olenka were studying at the gymnasium there at that time). Dad in Baghdati was preparing to hand over his cases and was filing some documents. He pricked his finger with a needle, but did not pay any attention to this trifle and left for the forestry. My hand began to hurt and break out. My father died quickly and abruptly from blood poisoning; it was no longer possible to save him. A loving family man, a caring father and a good husband are gone.

Dad was 49 years old, he was filled with energy and strength, he had never been sick before, which is why the tragedy was so unexpected and difficult. On top of that, the family had no savings. My father was one year short of retirement. So the Mayakovskys had to sell off their furniture in order to buy food. The eldest daughter Lyudmila, who studied in Moscow, insisted that her mother and the younger ones move in with her. The Mayakovskys borrowed two hundred rubles from good friends for the journey and left their native Kutais forever.

Moscow

This city struck the young Mayakovsky on the spot. The boy, who grew up in the wilderness, was shocked by the size, crowds and noise. He was amazed by the two-story horse cars, the lighting and elevators, the shops and cars.

Mom, with the help of friends, got Volodya into the Fifth Classical Gymnasium. In the evenings and Sundays he attended art courses at the Stroganov School. And the young man was literally sick of cinema; he could go to three shows at once in one evening.

Soon, at the gymnasium, Mayakovsky began to attend a Social Democratic circle. In 1907, members of the circle published the illegal magazine “Proryv”, for which Mayakovsky composed two poetic works.

And already at the beginning of 1908, Volodya confronted his relatives with the fact that he had left the gymnasium and joined the Social Democratic Labor Party of the Bolsheviks.

He became a propagandist; Mayakovsky was arrested three times, but was released because he was a minor. He was placed under police surveillance, and the guards gave him the nickname “Tall.”

While in prison, Vladimir again began to write poetry, and not just a few, but large and many. He wrote a thick notebook, which he later recognized as the beginning of his poetic activity.

At the beginning of 1910, Vladimir was released, he left the party and entered the preparatory course at the Stroganov School. In 1911 he began studying at the Moscow School of Painting, Sculpture and Architecture. Here he soon became a member of the poetry club, joining the futurists.

Creation

In 1912, Mayakovsky’s poem “Night” was published in the collection of futurist poetry “A Slap in the Face of Public Taste.”

In the literary and artistic basement “Stray Dog” on November 30, 1912, Mayakovsky made his first public appearance, he recited his poems. And the next year, 1913, was marked by the release of his first collection of poetry entitled “I”.

With members of the Futurist Club, Vladimir went on a tour of Russia, where he read his poems and lectures.

Soon they started talking about Mayakovsky, and there was a reason for this, one after another he created his such different works:

• rebellious poem “Here!”;
• the colorful, touching and empathetic verse “Listen”;
• tragedy "Vladimir Mayakovsky";
• verse-disdain “To you”;
• anti-war “Me and Napoleon”, “Mom and the evening killed by the Germans”.

The poet met the October Revolution at the headquarters of the uprising in Smolny. From the very first days, he began to actively cooperate with the new government:

• In 1918 he became the organizer of the group of communist futurists “Comfut”.
• From 1919 to 1921 he worked as a poet and artist at the Russian Telegraph Agency (ROSTA), and participated in the design of satirical propaganda posters.
• In 1922 he became the organizer of the Moscow Futurist Association (MAF).
• Since 1923, he was the ideological inspirer of the Left Front of the Arts (LEF) group and worked as editor-in-chief of the LEF magazine.

He dedicated many of his works to revolutionary events:

• "Ode to the Revolution";
• "Our March";
• “To the workers of Kursk...”;
• "150,000,000";
• "Vladimir Ilyich Lenin";
• "Mystery-buff."

After the revolution, Vladimir became increasingly attracted to cinema. Only in 1919, three films were made, in which he acted as a screenwriter, actor and director.

From 1922 to 1924, Vladimir traveled abroad, after which he wrote a series of poems based on his impressions of Latvia, France, and Germany.

In 1925, he made an extended American tour, visiting Mexico and Havana and writing the essay “My Discovery of America.”

Returning to his homeland, he traveled throughout the Soviet Union, speaking to various audiences. Collaborated with many newspapers and magazines:

• "News";
• "Krasnaya Niva";
• "TVNZ";
• "Crocodile";
• "New world";
• "Spark";
• "Young guard".

In two years (1926-1927), the poet created nine film scripts. Meyerhold staged two satirical plays by Mayakovsky, “Bathhouse” and “The Bedbug.”

Personal life

In 1915, Mayakovsky met Lilya and Osip Brik. He became friends with this family. But soon the relationship grew from friendship into something more serious; Vladimir became so carried away by Lily that for a long time the three of them lived together. After the revolution, such relations did not surprise anyone. Osip was not an opponent of a family of three and, due to health problems, lost his wife to a younger and stronger man. Moreover, Mayakovsky supported the Briks financially after the revolution and almost until his death.

Lilya became his muse, he dedicated every poem to this woman, but she was not the only one.

In 1920, Vladimir met the artist Lilya Lavinskaya; this love relationship ended with the birth of Lavinsky’s son, Gleb-Nikita, who later became a famous Soviet sculptor.

After a short relationship with Russian emigrant Elizaveta Siebert, a girl, Helen-Patricia (Elena Vladimirovna Mayakovskaya), was born. Vladimir saw his daughter only once in Nice in 1928, when she was only two years old. Helen became a famous American writer and philosopher and died in 2016.

Mayakovsky's last love was the beautiful young actress Veronica Polonskaya.

Death

By 1930, many began to say that Mayakovsky had written himself out. None of the state leaders or prominent writers came to his exhibition “20 Years of Work”. He wanted to go abroad, but was denied a visa. Diseases were added to everything. Mayakovsky was depressed and could not stand such a depressing state.

On April 14, 1930, he committed suicide by shooting himself with a revolver. For three days an endless stream of people came to the House of Writers, where farewell to Mayakovsky took place. He was buried at the New Donskoy Cemetery, and in 1952, at the request of his older sister Lyudmila, the ashes were reburied at the Novodevichy Cemetery.

Mayakovsky, Vladimir Vladimirovich - Russian poet, playwright (July 19, 1893, Baghdadi village near Kutaisi - April 14, 1930, Moscow). My father, one of the impoverished nobles, was a forester in the Caucasus. From 1906 Mayakovsky lived in Moscow, and for some time was engaged in revolutionary activities: already in 1908 he joined the RSDLP, and in 1908-1909 he was arrested three times. From 1911 he studied at the Moscow School of Painting, Sculpture and Architecture. He published his early poems in 1912 in the Futurists’ almanac “A Slap in the Face of Public Taste.” Mayakovsky belonged to the group of Cubo-Futurists, which was characterized by a defiant denial of all previous art and the search for new, non-bourgeois forms. Mayakovsky's first collection of poems - I(1913), first poem - A cloud in pants (1915).

Vladimir Mayakovsky - I am a poet... Documentary film

From 1915 to 1930, Mayakovsky had a shared apartment in Moscow with his spouses Lilya and Osip Brik. He shared a great love with Lilya, and Osip (formerly Civil War employee Cheka) openly condoned his wife’s affair with a famous writer, who financially supported all three. Having enthusiastically embraced the Bolshevik Revolution, Mayakovsky saw the Futurists as the vanguard of communist culture, viewing himself as the “drummer of the new life.” In declamatory verses, for example, Left march(1918), he addresses the broad masses. Mystery-buff(1918, 2nd ed. - 1921) - an allegorical theatrical work about revolutionary events, which Meyerhold staged in Petrograd.

In 1919, Mayakovsky began collaborating with the central Soviet press agency, ROSTA, and wrote a lot of texts for posters and propaganda poems on current events. Along with this, larger political and propaganda works of Mayakovsky arose, poems 150 000 000 (1920) and Vladimir Ilyich Lenin(1924), which pushed aside the personal lyrical theme (for example - I love, 1922) to the background.

In 1923-25, Mayakovsky headed the futurist magazine LEF. In 1927, he restored this magazine under the name “New LEF”, but a year later he left it. Speaking with his poems, Mayakovsky traveled a lot around the country, and since 1922 he has been abroad nine times (Latvia, Germany, France, USA, Czechoslovakia, Poland). The gradual consolidation of the new system, which demanded crudely straightforward “proletarian art” and was hostile to all kinds of artistic experiments, led to an increase in attacks on Mayakovsky, especially from the RAPP. In comedies Bug(1928) and Bath(1929) Mayakovsky's satire is directed against the rejection of revolutionary ideals and the philistinism of Soviet leadership.

During the country's transition to the Stalinist regime, Mayakovsky himself joined the RAPP in 1930, which his friends perceived as a betrayal. However, RAPP functionaries continued to fight it as an alien element. Comedy Bath, also staged at the theater by Meyerhold, was removed from the repertoire, Mayakovsky was denied a foreign visa, and his exhibition “20 Years of Work” was boycotted. Shocked also by his unhappy love in Paris for the emigrant Tatyana Yakovleva, Mayakovsky committed suicide.

Osip Brik wrote more than 200 articles fighting to restore Mayakovsky's poetic reputation. After the Brik couple’s letter to Stalin, official assessments of the poet suddenly changed: Stalin stated in 1935 that Mayakovsky “was and remains the best, most talented poet of our Soviet era.” Despite this, Mayakovsky's critical works, especially Bug And Bath, did not get a move until Stalin’s death. Almost all correspondence and some works from Mayakovsky’s archive turned out to be inaccessible to Soviet readers and researchers, so it was impossible for them to create even an objective picture of his work. In the Soviet series “Literary Heritage” some materials appeared in 1958 that expanded and corrected this picture (for example, part of the correspondence with Lilya Brik). B. Youngfeldt fully published this correspondence between Mayakovsky and Brik in 1982 in Sweden.

Mayakovsky. Last love, last shot

Mayakovsky had great poetic and dramatic talent; under the influence of futurism, he strove for a new art, freed from the “old traditions” and defeating them. This creative urge brought him closer to the Bolsheviks.

Mayakovsky’s declamatory verses fused his own aspirations and political attitudes, colloquial language bordering on jargon and rhetorical pathos, lyrical subtlety and poetic journalism, loneliness, passionate melancholy, internal fragmentation and boundless egocentrism, expressed in the desire to be a leader, in self-praise that despises humility.

Innovations in Russian verse: the use of free verse, the rhythm of which is based only on stresses, which is emphasized by the arrangement of the verse with a ladder, oriented towards pronunciation out loud; elliptic syntax; greater freedom in rhyming, often limited by assonance, were established thanks to Mayakovsky.

The unrealistic elements of Mayakovsky’s provocative figurative language find a parallel in his plays - in the pseudo-biblical symbolism of the scenes Mystery-buff, depicting the death of capitalism and communist paradise, as well as in satirical exaggeration when showing modernity in comedies Bug And Bath. Mayakovsky characterized his style as tendentious realism. He longed to invade reality with his more forceful rather than deep creativity. When this opportunity was taken away from him, he passed away.